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Spheric Plot - ebb

from plunderphonic songs by plunderphonics

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  • Five dozen tracks on two discs in this deluxe twenty-seven year retrospective box set; complete with double-size replications of all the Plunderphonics collages and a long revealing interview with project reproducer John Oswald, in a full-color 48 page shocking fact-filled exposé with dozens of outrageous illustrations, all wrapped in an eye-catching, spot-the-celebrities, digibook hardback case. 60 tracks spanning 27 years = 155 minutes of preposterous music.
    Free downloads of both the Plunderphonic Songs and the Plunderphonic Tunes albums,

    Includes unlimited streaming of plunderphonic tunes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 5 plunderphonics releases available on Bandcamp and save 15%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of RipRap, plunderphonic songs, plunderphonic tunes, GRAYFOLDED, and ELEKTRAX. , and , .

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lyrics

"first the tide…rushes in'

credits

from plunderphonic songs, track released October 31, 1990
including (not in order of appearance) some (maybe not all) of the following: Roy Hamilton, Frank Chacksfield, Bobby Maxwell, Eddie Albert (and Margo), Guy Lombardo, Vic Damone, Frank Sinatra, Henry Mancini, GTS Elemat (?), Tommy Morgan, Larry Ferrari, Stanley Black, Dick Contino, Percy Faith, Martin Denny, London Pops Orchestra, Living Strings, World of Strings Orchestra, Out Islanders, Pete King Orchestra & Chorus, Lew Davis Orchestra, David Rose, Fausto Papetti, Jerry Murad Harmonicats, Ralph Burns, Ferrante & Teicher, Jack Nitzsche, Andre Kostelanetz, Dick Schory,
MGM Singing Strings, and the Righteous Brothers. a coda by Nina Rota, was edited out after the pieces premiere on NPR radio.
all source recordings supplied by Hal Willner.

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plunderphonics Antarctica

plunderphonics is the genre title coined by John Oswald to 'cover the counter-covert world of converted sound and retrofitted music, where collective melodic memories of the familiar are mined and rehabilitated to a new life. The blatant borrowings of the privateers of sound are a class distinct from common sample pocketing, parroting, and tune thievery.' ... more

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